Review by Crystal J Casavant Otto
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Fantasy Thriller is the best way to describe Hugh Fritz’s Made to be Broken and the thrill lies in the fantasy to say the least! I’ve read plenty of books that are predictable and this is NOT one of them. I wasn’t sure what direction this tale would go in and it is clear that Hugh Fritz is a seasoned reader and talented first time author. As his imagination runs wild in his writing, my mind was simultaneously running wild. I physically did not want to put the book down because I was engrossed in the storyline and the unknown future happenings!

Including a genie in the storyline combined the best of my childhood with the reality of being an adult. As the mother of toddlers, I laughed a little harder than I should have when Darren tried discussing boundaries with a genie. The interactions between characters were humorous and imaginative. I’m happy that Made to be Broken is the first book of the Mystic Rampage Series because Fritz’s writing is enjoyable and makes for a quick read. I look forward to his future writings and would recommend this book to anyone who enjoys a great story!

About the Author:
Hugh Fritz is a fan of monsters, mad scientists, sorcerers, and anything that involves being with incredible powers beating each other senseless. After years of writing research papers, he decided it was time to give reality a rest and let his imagination run wild. This is his first book, and it has been an illuminating experience making the transition from reader to author.

He was born in Chicago where he spent most of his life until moving to the Southwest in 2015. He finds inspiration bouncing ideas off other novelists in a critique group, but hours of television and finding the right songs to put him in the writing mood play an important role as well. He has no plans to end the Genies' adventures here, so be on the lookout for more magical mischief in the next book of the Mystic Rampage series.
Find him online:
Twitter: https://twitter.com/HughFritz1
Facebook: https://www.facebook.com/Stories-by-Hugh-Fritz-397896477228957/
 Author's Website: http://www.hughfritz.com/

Welcome to Maravilla is an enjoyable read filled with suspense and humor. What I appreciated most about the book is the well written, believable, dialogue between characters. The banter kept things interesting. The character development of Jake Epstein in particular was very well done by the author, R. Douglas Clark. This science fiction tale was interwoven with reality and I found myself drawn to the history of the tiny hamlet of Maravilla wondering about the redrawing of the Rio Grande and Carson County lines. I quickly became immersed in the story and found the characters to be relatable and the storyline enjoyable. 

The level of detail in Welcome to Maravilla was just right for my liking. For example: I didn’t need to know the color of the curtains in the caretaker’s cottage and instead the author gave me just the information that was necessary telling me simply how many rooms there were. I dislike when authors use so many minute details I forget the storyline and get caught up in the red polka dot curtains and antique lamps… R. Douglas Clark gave me the details and information I needed without taking away from the storyline. 

This is the first book I’ve read by R. Douglas Clark and I enjoyed his writing style. I’ve also never visited Maravilla, New Mexico but after reading Welcome to Maravilla, it is very clear that this is a special place the author is knowledgeable about and cares about deeply. ​

Review by Crystal Otto

I was drawn in to The Beginner’s Guide to Winning an Election right from the beginning. There were a few  things that pulled me in:

French’s descriptive writing made me “see” Brit as if I were watching the story unfold on the big screen.

Brit’s character was one every student can relate to – this may be a futuristic novel, but the scenarios could take place today (or 20 years ago when I was in school).  I particularly related to the feelings of loss and peer pressure surrounding Brit’s very first campaign.

I was drawn to the story from the very beginning, but the fast-pace kept me engaged throughout. There were pearls of wisdom I gathered while enjoying the adventure – wisdom such as:

• Be careful not to let someone else’s attacks define you before you define yourself. (84)
• Fighting back through positivity is the only way to fight back – though you can never silence the haters completely. (94)
• Being clever and persistent are admirable. (119)
• The whisper of truth ultimately is louder than the roar of deception. (198)
• Most battles worth fighting were ultimately waged in the trenches. (260)

I love that Brit encountered the same types of troubles our teens today do – bullying, social media, cyberspace, finances, etc… and this story is expertly woven and tremendously believable. Whether you have a love or hate relationship with politics (or a love/hate relationship), there is a great benefit to reading and experiencing Brit finding her political voice   I admire Brit’s drive (med school, the election, etc…) and how she gives her whole self to everything she does. I imagine the author, Michael R. French, is much like his main character in The Beginner’s Guide to Winning an Election. This book is well written and the editing is spot on. There were no parts of the story where I felt the pace slowed. I was truly engaged from beginning to end. I would definitely recommend this book to everyone (including my middle school readers).

By Elizabeth Hansen

You Started What After 60?  by Jane T Bertrand was an interesting read. I have wanted to do a little bit of mountain climbing myself, so this book was mind blowing. Jane clearly has a talent with perseverance, and it shows through this book. I would recommend it to anyone, mountain climber or not. The book shows her passion, both for nature, and for challenges. She is truly a great writer, and had me spellbound from page one. My advice to anyone looking to read this? Dive in!

By Dawn Farnsworth

I truly enjoyed reading Ashes in the Ocean by Sebastian Slovin. This is a brutally honest book although it is not written in a way that makes you feel sorry for the author. Sebastian has shared the story of his father's suicide but it is more so a story about how he used that event to become empowered instead of using it as an excuse. Sebastian has risen above this tragedy and uses his book, Ashes in the Ocean, as a platform for helping others. 

Ashes in the Ocean goes deep into human behavior--this is not a book to be taken lightly (as of course suicide is not either). A child survivor of parental suicide is so much more than a child. The child is forever changed because of what they have experienced and what they will never experience. Sebastian has become a mentor and an example for others. He takes a situation that could break someone and becomes a shining beacon of hope for others with similar experiences. 

So many lives are touched by suicide. I recommend this book, not necessarily for those who have survived suicide, but for any reader who is interested in learning more about those around them. Everyone has a struggle and emerging from that struggle as a stronger individual is something anyone can and should want to know more about. 

A Corner of Our Bookcase

​I was thrilled to have the opportunity to read Burtrum Lee, by Mary Maurice.  The book is a tale of identity crisis and mystery, with a bit of greed and conspiracy thrown in for good measure.  The twists and turns of this book, as well as shifts between 1960 and 2004 kept me at the edge of my seat and unable to put the book down.  It is a fast read and held my interest throughout, as I just couldn’t wait to find out what happened next, or what the rest of the family secrets were.  

Having lived her whole life questioning who she was and feeling that something just wasn’t quite right, Burtrum Lee suddenly finds herself the focus of attention of a peculiar and potentially dangerous stranger, raising many questions about her birth that her parents and grandmother seem unwilling to answer.  Frustrated by her family’s secretive behavior, Burtrum enlists her new friend Megan to assist her in finding out all she can about her past.  The truth winds up being far more complex than Burtrum Lee ever could have imagined.

There may be a thousand and one books on how to write a novel, filled with sound observations, but when it comes to creating and developing characters, many emphasize the mechanical over the intuitive.  Over decades, here’s what I’ve painstakingly learned about making your characters authentic, original and memorable.
 




1. Most writers begin the writing process by working on plot.  While plot is obviously important, I also like to know everything possible about my main characters, even if I never use many of their details in the novels.  Whether you take voluminous notes about them, or talk out loud to them  (and they talk back to you), it’s rarely enough.  You need to imagine what they would do off the page, i.e., if they had to attend your Uncle George’s July fourth barbecue, or somehow landed in another novel altogether.  Make them your best friends or worst enemies.  Whether they come from your imagination or real life (or a combination thereof), you should be inside your characters a few hours every day—before you write a single word.  Think of method acting.  Characters aren’t simply pawns in a plot—they transcend it.  They are what you remember long after the plot is often forgotten.
 
2. Great characters, to enhance their arc, should have a fourth or fifth gear that seems to come out of nowhere.  For example, villains can turn into heroes with an act of kindness that we would never have anticipated, yet when we read the novel closely, we realize that the seed of kindness was planted by the writer from the beginning.  Similarly, characters we start off admiring suddenly disappoint us when they hurt someone they love.  If they don’t realize what they’ve done, figuring out the “why” makes them even more interesting.  Well-conceived characters can help with plot troubles, too, if the writer wakes one morning and isn’t sure where his or her  story is going (happens to most of us).  Instead of robbing a bank, for example, your destitute character decides to give away his last fifty dollars to a stranger.  The wife who has been cheated on, instead of taking revenge on her husband, is filled with insights about her father.  A deeply-felt, richly-imagined character is your writing buddy, your co-conspirator, and their importance to the final product can’t be overstated.      
 
3. It’s great to surprise a reader with the unexpected, helping give a twist to the plot and the character, but whatever transpires, it must have credibility.   Unless she’s a prodigy, a twelve year old girl is not going to solve the murder of her parents that happened ten years earlier.  A surgeon who graduated from Harvard is not likely to leave a sponge behind in his patient’s abdomen.  If you go for low probability events, or extreme twists, you have to back them up with plausible explanations.  The “willing suspension of disbelief” only goes so far.  Once a reader becomes skeptical that the writer doesn’t know what he or she is talking about, it’s tough to win them back.  
 
 4. Most writers are more comfortable delineating one sex (or gender) over another, which often dictates their main characters and the genre a writer chooses.   You can still be a male and write fantasy romances, or a female skilled at describing war scenes, but whatever your strength, play to it.  Very few writers do everything well.  The best write about what they know, and their characters evoke passion, empathy or curiosity in a reader.   
 
5. Building a character arc should be done over the span of the novel.  Just like it’s a writing sin to have an information plot dump in the first chapter of your book, likewise your characters shouldn’t reveal themselves right away.  One aspect at a time—brought out by action rather than exposition—keeps the reader engaged.
 
6. Try to have one of your characters do or say something in the course of the narrative that’s totally original…something that’s never been done in another movie or film.  This is not easy to achieve, but if you have an imagination, have some fun with it.  You’ll go down a lot of dead ends, but if you’re lucky, you’ll end up on a mountain peak.  Remember that the event has to be plausible, but originality is usually memorable.  No matter how many crime stories we read, for example, the great ones take our thoughts and emotions to unexplored places.  It’s what readers talk about in reviews and blogs.
 
7. All good writing, whether its plot, theme or characters, involves a high degree of problem solving.  You start your novel after doing the prep work described above, yet as the words march across the page,  something feels a little off. You can’t put your finger on it.  What have you forgotten or overlooked? Where is the spontaneity and energy?   The pieces fit beautifully when your first imagined them, but suddenly they’re like reading a foreign language.  Take a break.  Do something else with your life that week, or work on a different part or aspect of the novel.  Ultimately, the biggest problem, when you finally solve it, can becomes your best writing.